Across the album’s five tracks, Pagé unfurls untold possibilities from within the 5000-year-old instrument: moving through free-form tonal caverns, catching gently-bent melodic breezes and expanding out to the ambient aethers. Dose Curves is a world in a spin of its own, intricately detailed and paced serenely. Described by its maker as a ‘tribute to the many moods and colours of the harp’, the album moves with a learned fluidity. Employing a myriad of techniques and tools to accentuate the harp ( a bass pick-up of her own design and an array of carefully considered amps, fans, bows and pedals) Pagé capitalizes on both the very physical and altogether mystical tones inherent in the instrument.
The mere range of sounds Pagé is able to pull out of the harp while remaining tethered to its essence is astounding. Though what really makes the record so spellbinding is its rootedness in performativity. Dose Curves arrives in album format after eight years of intensive practice, playing, touring, collaborating and recording. During this period (which included her regular duties with The Barr Brothers, close collaborations with the late Mexican-American mysterion Lhasa, and appearances on recordings by Leif Vollebekk, Patrick Watson, Jerusalem In My Heart, Nadah El Shazly, among many others), Pagé would test these solo works on live audiences as opportunity permitted. Across many explorations, versions, dialogues and fine-tunings, the pieces materialize here as vibrant as ever. Rather than presenting as a deadened product of a disconnected process, the tracks on Dose Curves are wildly alive, charged with organic iteration and intent. The entire LP consists of one unaltered performance, presenting the full range of the artist and instrument, imbuing the album with a visceral vitality.
It takes an incredible amount of discipline, dedication and curiosity to manifest such a unique and unified collection of music. That such a collection feel so immediate and welcoming speaks to the artistry of Sarah Pagé: fearless, tender and ever-changing.
- ARTIST: Sarah Pagé
- TITLE: Dose Curves
- CAT#: BKWRD020
- FORMAT: Vinyl, CD, Digital
- RELEASE DATE: October 11, 2019
Dose Curves, the first solo outing for Montreal-based harpist Sarah Pagé, is perfectly strange and stable. Like an entirely detailed, delectable world in a spin of its own, the album moves, breathes, grows and changes at a pace that feels wonderfully natural; in welcoming ways that belie its intricate oddities. Across the five-track suite, all recorded live in motion, Pagé (perhaps best known for her decade-long run with roots rockers The Barr Brothers) unfurls untold possibilities from within the 5000-year-old instrument. Moving through free-form tonal caverns, catching gently-bent melodic breezes and expanding out to the ambient aethers, Dose Curves is a spellbinding debut that affirms its maker as one of Canada’s most versatile and accomplished experimentalists.
“spellbinding” – self-titled magazine
“virtuostic” – WNYC New Sounds
“truly stunning and ambitious” – Tiny Mix Tapes
“brilliant” – Pop Matters
“mesmerizing” – NPR
“Unselfconsciously magical, cutting-edge stuff.” – New York Music Daily
“a perfect soundtrack to some arthouse sci-fi thriller” – Vancouver Sun
“Sarah Pagé’s Dose Curves is not sleep-inducing; it’s consciousness-heightening.” – Dominionated
“pushes the harp in completely unexpected directions” – Exclaim! (8/10)
“blissed-out” – Canuckistan
“grippingly beautiful” – Cast the Dice
“unlike anything else you’ll hear this year” – Various Small Flames
“a dream that drifts” –The Autumn Roses
“when I heard this endearing, crystal clear one-instrument symphony I was truly touched by its sheer beauty and aural magnificence. I became completely silent and was thrilled by its gracious splendor. Its magical resonance is an enthralling experience” –Turn Up The Volume
“The range of sounds she is able to pull out of the harp while remaining tethered to the 5000-year-old instrument’s essence is astounding” – Twisted Soul